He has been the brand ambassador of “Sakal karandak” the famous one-act play competition organised by the Sakaal group for successive five years. He has directed three versions of the noteworthy play “Gandhi Virudha Gandhi” written by Ajit Dalvi. Recipient of the prestigious “Mahindra Nataraj Puraskar”, “Mahanagar Puraskar”, “Maitrey Puraskar”, "Marathwada Sahiyta Puraskar" and “Maharashtra Rajya Sanskrutik Puraskar” for his remarkable contribution to the theatre and Marathi cinema.
#Unforgettable memories quotes in marathi professional
He was the only Director who has engraved his name in the Natyadarpan Award by winning the Best Professional Director award for the play "Dhyanimani" and the Best Experimental Director award for the play "Yelkot" at a time in the year 1994.
He works in both mainstream and parallel theatre with equal ease. (Shree Chintamani's 'Charchaughi', Ashwami Theatre's 'Doctor Tumhisuddha' & Chandralekha's 'Rang Maza Vegla') In the year 1991 all the three nominated plays in the best professional play category were directed by him. The artist and technical crew of the trilogy being rich in talent completed a record and what it engendered was an unforgettable experience par excellence. This milestone trilogy includes back to back presentation of three plays, Vada Chirebandi, Magna Talyakathi and Yuganta. He is the only Indian theatre Director who has to his credit feat of directing an eight- hour "WADA CHIREBANDI" trilogy produced by "AVISHKAR" and written by another maverick Shri Mahesh Elkunchwar. These plays have mesmerized the audience and have left its mark on them for a lifetime. “Charchaughi”, “Doctor tumhisuddha”, “Dhyanimani”, “Gandhi Virudha Gandhi”, “Chaahul”, “Jyacha Tyacha Prashna”, “Rang Umaltya Manache”, “Vyakti Ani Valli”, "Gidhade", “Yelkot”, “Celebration”, "Hamidabai Chi Kothi" to name a few. In the past 25 years of his stay in Mumbai, he has created a phenomenal record of directing more than 50 thought provoking & content oriented plays. As you prepare to celebrate this special day. Looking to expand ‘Jigisha’s theatre world beyond ‘Aurangabad, to seek knowledge and experience, to face new challenges, conquer new horizons and to expand their activities to wider audiences most active theatre artists working with Jigisha migrated en masse to Mumbai during the period of 1987 to 1990. It marks a year filled with love, laughter, and unforgettable memories that you will cherish for a lifetime.
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